was in a perpetual state of winter on his 1974 classic, “ Winter in America,” Freddie Gibbs had yet to be born. When the late soul singer and poet Gil Scott Heron noted the “frozen progress” of America as a sign that the U.S. For all its components, “Snake Eyes” is quintessential N ew York Hip-Hop. Over Disco Vietnam’s baleful production, Jones offers NYC history lessons, with tales of him being in the streets at the same time Ghost was filming the music video for “ Ice Cream” with Raekwon and Method Man in the mid-’90s. Upon hearing Ghostface describe beating someone up as “tap dance all around a nigga jaw, ” it’s hard to not be impressed by how after 30 years in the game the Wu-Tang veteran still finds fresh ways to convey old topics. On the DJ and radio host’s severely underrated album of the same name, Ghost and Jim are joined by New Jersey rapper Crimeapple on this ceremony of sh * t talking.
B ringing Ghostface Killah and Jim Jones together for their first collaboration, “Snake Eyes” is Rosenberg’s latest of suc h contribution s. Multi-hyphenated media personality Peter Rosenberg has contributed a lot to New York H ip- H op over the last decade as one of the faces of Hot 97. Ghostface Killah, Crimeapple, and Jim Jones Not many love songs in 2021 sound this blissful. ” He deepens his voice during the verses to embolden his proclamations of love and raises it during the chorus as if he’s trying to reach the ears of angels when comparing the connection he shares with his lover to the feeling of being heaven. Over ethereal strings that sound like they’ve been plucked from God’s kingdom, Pink $ weats professes his undying love on an elemental level, declaring he’ll “love you like the tide, pull you close at night. Philadelphia crooner Pink $ weats released “Heaven” in February, and it hasn’t aged a day despite how quickly songs go from hot to cold in this era of microwavable music. Image Credit: Noel Vasquez/Getty Images for BET “Beretta” is a great example of why her talents are so in-demand. At this point in her career, Mereba has stood out on songs with the likes of 6lack, Vince Staples, JID, and Rapsody.
“If this ink could seep into your cerebellum, I would so eloquently scribe my feelings unto thee,” she spits like a H ip- H op playwright. To drive home how dead serious she is about her lover, the multi-faceted singer momentarily strips the song of its frills and decides to rap. “If you a rat, I f–king hate you ’cause I love Thug.There’s a ride – or – die partner, and then there’s Mereba willing to “stick up the world with this cheddar” alongside the one she loves on “Beretta.” On this underrated tribute to unconditional love, the singer issues proclamations of love with a level of sincerity that makes even her most outlandish expressions sound grounded in reality. “ should’ve went in there and kept your mouth closed,” he said. Several rappers have been critical of Gunna’s release, including Lil Durk, who recently spoke to Akademiks about his thoughts on his “What Happened to Virgil” collaborator.
#VIBE SONGS RAP TRIAL#
“While I have agreed to always be truthful, I want to make it perfectly clear that I have NOT made any statements, have NOT been interviewed, have NOT cooperated, have NOT agreed to testify or be a witness for or against any party in the case and have absolutely NO intention of being involved in the trial process in any way,” the rapper wrote in a statement after his release last December. Though his YSL counterpart Young Thug remains incarcerated over charges that include allegations of murder, carjacking, armed robbery, drug dealing and illegal firearm possession over the past decade, Gunna continues to insist he did not snitch on the “Hot” rapper. “Bread and Butter” is Gunna’s first song post-jail after accepting a plea deal last year. Gunna continues to stand tall amid the drama and doesn’t relent under the pressure by further skewering his detractors, saying, “You bitch a– n-as got me the topic of the chat/ You switched on me when you know you in business with a rat/And the boy, that’s like your brother, ain’t nobody speak on that.”
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