Generally speaking, faster rhythmic patterns add more energy. You can add any number of hats, shakers, tambourines to fill out the rest of the percussion. Hats, Percussion & BreaksĪpart from the shuffle, the other factor that can dramatically change the feel of the track is the hats, percussion and use of sampled breaks. If you’re using sampled breakbeats, many of these will have shuffles in them already, so be aware when layering extra samples that you don’t overcomplicate the drums. In production, this may be emulated through the use of different snare samples. Tip: Ghost snares are just normal snares, traditionally played by a drummer to vary up the rhythm and velocity of a drum pattern. Or, there are many samples out there that can be used as pre-made shuffles. You can program a basic shuffle with some hats, percussion and or ghost snares. This technique is borrowed from funk and soul drummers, where the emphasis on the offbeat was used to add a feeling of groove to the drums, rather than having a boring, stale and straight kick/snare.
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This percussive element consists of a series of 1/16 notes after the first snare of each bar. The ShuffleĪ major feature of a DnB drum pattern is the ‘shuffle’. Whereas if you were making liquid or minimal, you would have snappier, softer samples that perhaps sit a bit higher in the frequency spectrum. The sound of the kick and snare are crucial to the energy level of the track and therefore the genre you are making.įor example, if you are making Dancefloor DnB, then you’ll want a really punchy kick with weight and a very heavy and bright snare, both of which should fill out the bottom end. The possibilities are endless, but these are a few common options. This kick-snare pattern can have many other variations too, such as the extra snare or one less kick, etc:
The core drum and bass drum pattern is a kick drum-snare pattern that sounds as follows: The main drum and bass kick-snare pattern. Subgenres aside, the drum patterns in drum and bass tend to stay very similar in terms of rhythm. Step 1: Drumsīecause it wouldn’t be drum and bass without, well, drums. Many tracks will also be written in a minor key to give the genre a ‘moodier’ and ‘driving’ feel. A glimpse of my rekordbox library that I use when DJing DNB. Most drum and bass tends to be written between 170-180bpm, with the majority falling at 174-175bpm, as it seems to have a fast enough pace without being too fast. Here are the main:Īcross this guide, we will provide alternative paths that you could go on depending on the subgenre you are planning on making (and we may also do a dedicated guide for each in the future). So it’s important to have a particular style in mind when producing (or you could combine some). You can have both heaving basslines and soothing pads across the spectrum of subgenres.
One of the beauties of DnB is that it’s such a multi-faceted genre. That way, you will maximize your potential for improving as a music producer.Īnd if you need an introduction to music production in general, check out EDM Foundations. So my recommendation would be to follow along in your DAW as you walk through the article. This article will give you the knowledge necessary to make a drum and bass track from start to finish.
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No more short YouTube videos showing you how to make a particular bass (as much as they can be helpful). What this article will do is provide you with a solid framework for making DNB. While this article aims to be as comprehensive as possible, you must dedicate time and effort into your craft in order to become a good producer. Let me disappoint you – that will not happen. You might expect to read this article and walk away as a master of drum and bass production. As eager as you may be to get into the nitty-gritty of producing DNB, there are a few important points to consider that are essential for any sort of success.
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